″“Today, we’ll hear the teachings from his mouth.” said Govinda. Siddhartha did not answer. He felt little curiosity for the teachings, he did not believe that they would teach him anything new, but he had, just as Govinda had, heard the contents of this Buddha’s teachings again and again, though these reports only represented second- or third-hand information. But attentively he looked at Gotama’s head, his shoulders, his feet, his quietly dangling hand, and it seemed to him as if every joint of every finger of this hand was of these teachings, spoke of, breathed of, exhaled the fragrant of, glistened of truth. This man, this Buddha was truthful down to the gesture of his last finger. This man was holy. Never before, Siddhartha had venerated a person so much, never before he had loved a person as much as this one.” Siddhartha

Art has to reveal to us ideas, formless spiritual essences. The supreme question about a work of art is out of how deep a life does it spring. The painting of Gustave Moreau is the painting of ideas. The deepest poetry of Shelley, the words of Hamlet bring our mind into contact with the eternal wisdom, Plato's world of ideas. All the rest is the speculation of schoolboys for schoolboys. Ulysses

The Times is speechless, and takes three columns to express its speechlessness. Never Give In!

If there is anything beautiful other than absolute beauty, that can only be beautiful as far as it partakes of absolute beauty—and this I should say of everything. ...by beauty all things become beautiful. ...by greatness only great things become great and greater and greater, and by smallness the less becomes less. The Trials Of Socrates